TUESDAY 31 OCTOBER 2017 | COMPLETEMUSICUPDATE.COM | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
TODAY'S TOP STORY: While Alexa is more than happy to play any old nonsense from your Spotify library - if you really insist - Siri thinks Spotify is a big fat bunch of shit and won't sully herself by streaming dumb tunes that originate within that monumental fuck fest. Not my words ladies and gentlemen, but the words of Siri herself. By which, I mean, Apple isn't allowing other music apps to integrate with Siri on its new HomePod device... [READ MORE] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Siri won't play Spotify tunes on Apple's new HomePod As previously reported, Apple is getting ready to go head-to-head with Amazon and Google in a bid to own the about-to-boom voice-activated-internet-connected-box-that-does-useful-stuff market, or the VAICBTDUS market for short. Like both Amazon's Echo and the Google Home device, Apple's HomePod will do an assortment of things whenever you shout orders at it, including playing some tunes, if only to drown out all the shouting. Both Amazon and Google have their own streaming platforms to push, of course, and so their respective voice-activated devices default to their own services. And that's provides an opportunity for both web giants to grow their proprietary music set-ups, with Amazon - in particular - potentially primed to become a significant player in the streaming music market on the back of its activity in this space. However, both companies have allowed the likes of Spotify to also fully integrate with their devices. So that, if you the user so chooses, they can say "hey Alexa" or "hey Google" and have music play on Spotify rather than Amazon Music Unlimited or Google Play Music. Apple's HomePod pushes its music playing abilities to the fore, with the higher audio quality of its in-built speaker one of the justifications for the device being more expensive than the Echo or Google Home. But if you want to listen to your music by shouting "hey Siri", you'll only be able to stream tracks from Apple Music. Apple yesterday posted an update for third party developers on how to get their apps working with Siri on its soon-to-launch HomePod device. However, initially HomePod Siri integration will only be available to apps that provide services classified as messaging, lists and notes. Which excludes rather a lot, including - of course - Apple's biggest rival in the streaming music business, Spotify. This isn't an especially surprising development, given that apps which compete with Apple Music can't integrate with Siri on other Apple devices. And, as noted, Apple more than its competitors plans to push HomePod as a music player, but only an Apple Music player. Indeed, in its update for developers Apple describes the HomePod as "the powerful speaker that sounds amazing ... and provides instant access to Apple Music". For its part, Apple stresses - to you, me and any anti-trust lawyers reading - that other music apps can play on the HomePod, they just won't be integrated with Siri, meaning you'll control the app via an iPad or iPhone using the Airplay feature, as you would with other wireless speakers. Though given that voice control is at the heart of these new devices, the "fuck you Spotify" from Siri is arguably significant. Of course, making it less convenient for users to use their streaming service of choice on your new device is a gamble - will it make your own streaming platform more attractive or your already-more-expensive VAICBTDUS device less attractive? We'll see, I guess. Asked about the confirmation from Apple that Siri integration won't be available to third party music services on HomePod, for now at least, a spokesperson for Spotify told Business Insider: "We are always working to have Spotify available across all platforms, but we don't have any further information to share at this time". Elsewhere in Spotify news, according to a recent Companies House filing, Spotify's UK business saw subscription and advertising revenues rise in 2016, while the number of monthly active users rose to 7.1 million, of which 2.8 million were paying subscribers. Which is quite a lot of users. "Fuck them all to hell", said Siri in a statement last night. |
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Travis Scott sued over balcony fall at New York gig According to reports, some fans at the April show - allegedly encouraged by Scott - began jumping from the balcony at New York's Terminal 5 venue into the arms of audience members below in a form of extreme crowd surfing. Green says that that activity resulted in the crowd on the balcony, where he was standing, surging forward, knocking him over the railing onto the floor below. After his fall, Scott then seemingly encouraged security at the venue to bring Green to the stage, where he presented the injured fan with a ring. But instead of following Scott's bizarre requests from the stage, Green's reps argue, security should have been administering emergency first aid to the injured gig-goer and calling an ambulance. The New York Post quotes Green as saying: "I fell and hit the floor. Before I knew it, I was surrounded by security guards, who scooped me up. Travis Scott was yelling at his security guards to bring me to the stage. They didn't put a backboard or a neck brace on me or anything, they just kinda lifted me up and pulled me around. Then they dropped me in front of the stage. I was in a lot of pain. I just laid there, and finally, an ambulance came". Green, who was a student at the time, says that the fall resulted in a fractured vertebrae, broken left wrist and fractured right ankle, injuries that left him paralysed on his left side. He has now left college and is living which his family, requiring a wheelchair to get around. In a lawsuit filed with the New York courts, Green says that the venue should have known that Scott "had incited mayhem and chaos at prior events", and should have been prepared to deal with such a situation. His lawyer adds, "[there was] no crowd control, so that the crowd was able to push him over the ledge, and then, to add insult to injury, he winds up not even being given basic and routine first aid. Clearly, had he been given [the aid], he wouldn't have wound up paralysed". Neither Scott nor Terminal 5 have as yet responded to the lawsuit. -------------------------------------------------- Copyright owners pursue the most claims through the High Court According to law firm RPC, which has been doing some counting, the three leading claimants in the High Court in the year up to 31 Mar 2017 were all in the business of copyright. And two of them music copyright. Leading the way by bringing a massive 106 cases to court was the UK record industry's collecting society PPL, while its counterpart in music publishing, PRS, came in third with 27 cases. The Football Association is in second place having filed 39 cases, mainly seeking to protect its intellectual property rights against those illegally accessing or airing footage of football matches. PPL, of course, grants licences on behalf of artists and record labels to those seeking to exploit the 'performing rights' of the sound recording copyright, which mainly means broadcasters and any business that plays recorded music in a public space. Performing rights income - long a key revenue stream for songwriters and music publishers - became a much higher priority for the record industry as CD sales slumped in the early 2000s and record companies started to chase every single penny they were due. As a result PPL became much more proactive in enforcing its members rights. And, according to the figures put out by RPC, it remains pretty damn prolific today. Says the law firm's Ciara Cullen: "Legal action can be an effective way for music companies and their representatives to recoup some of the money lost from reduced sales from the digitalisation of music content". She adds: "Pubs, restaurants and nightclubs can be easier to pursue for potential copyright infringement than other culprits such as illegal file sharing websites that tend to be based off-shore. Not only do the considerable damages make the process of going to court worth it for record labels or performers, but they can also help to act as a deterrent for other offenders". So well done PPL on your litigious achievements. Why not sue someone to celebrate? |
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Universal Music allies with VR/AR firm Says Within CEO Chris Milk: "Music is one of the most uniquely transformative mediums of human expression; combining it with immersive AR and VR experiences creates a new artform exponentially more powerful than the sum of its parts. This partnership allows us the incredible opportunity to work with top artists at Universal Music to create ever more meaningful and expressive immersive music experiences". Adds Universal Music's Michele Anthony: "We are huge admirers of Chris's innovative and creative work in music and VR, as well as the premium experiences Within offers to music fans. Working with our labels and artists, Universal Music has produced numerous VR experiences and this agreement will help evolve our strategy. Together, Universal Music and Within will push the boundaries of how audiences experience music and create new ways for artists to forge deeper connections with their fans". So get ready to be meaningfully transformed, exponentially immersed, expressively pushed and deeply connected. I think. I don't know. I kinda tuned out. VR, woo! -------------------------------------------------- Chrysalis acquires more recordings as part of Warner's indie offload Which means that tracks made by The Swinging Blue Jeans, Dario G, Lucinda Williams, Grant Lee Buffalo and Toumani Diabaté that were previously controlled by Warner Music are now part of the new Chrysalis recordings repertoire. Quick, someone update the music industry's global rights database so every music user is fully up to speed. Oh, yeah, we forgot to make that database. OK, let's just write it in crayon on the wall. As much previously reported, when Universal Music bought the EMI record company in 2012, competition regulators forced it to sell off a chunk of the former British major's European assets, in particular the Parlophone label. Warner Music bought most of those assets, and reached a deal with the indie label community to avoid running into its own issues with the European competition regulators. At the heart of that deal was a commitment to sell off a certain amount of catalogue to the indie label sector. It was as a result of that arrangement that newish music company Blue Raincoat was able to acquire the old Chrysalis Records brand and much of the former label's UK catalogue, allowing it to restore Chrysalis as an active indie record company. The all-new Chrysalis has since expanded its recordings repertoire with further acquisitions from Warner, polishing off various musical relics with a view to better exploiting the shiny classic tracks that are sitting underneath the dust. Commenting on the latest acquisitions, Chrysalis Records boss Jeremy Lascelles said: "Not by intention, but I don't think we could have come up with a much more eclectic selection of artists to add to the Chrysalis roster". He went on: "But all of them - from Lucinda Williams, one of my own personal favourite artists of the past couple of decades, to the wonderful world music sounds of Toumani Diabaté - are giants in their respective areas of music. It's also a joy to add classic hit songs like 'Hippy Hippy Shake' and 'Sunchyme' to our catalogue. I am proud to include all these great artists on the Chrysalis Records label". |
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V Festival is dead, new party to be launched on its grave Announcing the decision to stop putting his company's name to the annual pit of misery, Richard Branson says that it is important "to keep innovating and changing things up", so Virgin will now look for "new ways we can disrupt the [music] industry". Maybe he could launch a streaming service where every track you listen to is somehow tweaked to give you a nagging sense that you've made a terrible mistake. "V Festival has always been a special weekend for everyone at Virgin", writes Branson, which seems incredibly unlikely. "Being part of V Festival has been an honour and there are some amazing moments that will stay with me forever - including introducing Paul Weller and welcoming V2 Records' first signing The Stereophonics to a massive audience". See, even he can't think of anything that good about it. Launched in 1996, taking place in Victoria Park in Warrington and Hylands Park in Chelmsford, the first event was headlined by Paul Weller and Pulp - the twin site idea having been developed from an idea by Jarvis Cocker. So it's basically his fault. For its second year, the Northern site moved to Temple Newsam outside Leeds, before settling in Weston Park in Staffordshire, which isn't even all that Northern. What will now be the final edition of V Festival as we know it took place in August, headlined by Jay-Z and Pink. Goodbye V Festival. I'm not sure if it came across in this article, but we weren't really fans. |
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Speakers confirmed for CMU Insights session at We Are Robots The first day includes a conference aimed at the music community including discussions about the future of music radio, music production and interactive entertainment. That will be topped off with a session led by CMU Insights looking at the impact new technology is having on the live music sector, in terms of marketing and ticketing, the fan experience during the show, and how live events can be shared and broadcast beyond the venue. Confirmed to take part in that conversation at 4.30pm on Thursday are Russ Tannen from Dice, Arianna Power from Boiler Room, Ruari Frew from Vice and Ami Lord from Standon Calling. CMU's Chris Cooke will moderate. For more information about We Are Robots, click here. |
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Tom Calvert, aka Redinho, releases new solo album "I've tried to make this record as much a moment in time as possible, aiming to make a beat a day in December 2016 and resisting urges to edit", says Calvert. "This was to avoid analysis paralysis, perfectionism, and give it a punk feel. I also wanted the record to sound lo-fi, as if it's a dusty artefact found in the rubble. Much of the sounds were run through a space echo emulator and this gave it an atmosphere that felt relevant". The album is out now, via Customs, the new label set up by Calvery with Swet Shop Boys' Riz MC and Heems. |
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Frightened Rabbit announce Midnight Organ Fight tenth anniversary shows With debut LP 'Sing The Greys' effectively a solo project from frontman Scott Hutchinson, 2008's 'The Midnight Organ Fight was their first record as a band, and received high acclaim. "If you are one of those souls who was around when 'The Midnight Organ Fight' was first released, coming to watch us scrap our way through those songs as we toured the album and ourselves into the ground, you may be interested to learn that it all happened nearly ten years ago", say the band. "To mark the anniversary, we'll be playing a few shows performing 'TMOF' in its entirety". Tickets go on sale to the band's mailing list tomorrow, then on general sale on Friday. The UK run of shows is as follows: 15 Mar: Manchester, Ritz |
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Independent Festival Awards handed out "The Independent Festival Awards was an outstanding celebration", says the Association Of Independent Festivals' Paul Reed. "It is always a tough call with such a strong shortlist and this reflects the abundance of creativity and imagination fuelling this inspiring and growing sector. Congratulations to all of the winners and nominees". He added: "As we look towards the next phase of the Congress and Sheffield in 2018, this has topped off a phenomenal four years in Cardiff". Oh yes, AIF also announced yesterday that its annual Festival Congress will move to Sheffield next year. So now you know that too. And here are the winners of the Independent Festival Awards: Unique Festival Arena: Womb With A View at Shambala |
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Shane McAnally, DHP Family, Sia, Amanda Palmer, more Other notable announcements and developments today... • Kobalt has announced a new deal with country songwriter Shane McAnally to administrate his song rights worldwide. It sees McAnally continue his relationship with the music firm, which also provides services to his SmackSongs company. Jesse Willoughby, GM of Kobalt Nashville, "couldn't be more excited". I bet he could. Just a little. • Live company DHP Family has made three promotions. Kelly Bennaton becomes Head Of Marketing, Sophie Power becomes Head Of Creative, and Anwyn Williams takes on the role of Marketing Manager. "I'm delighted that we have been able to turn to the talent we have working within the company to fill these three roles", says MD George Akins. • Sia has released ominous sounding new single 'Santa's Coming For Us'. The track is taken from her new Christmas album, 'Every Day Is Christmas', out on 17 Nov. • Amanda Palmer has released new single, 'In Harm's Way'. It will be released on seven-inch vinyl on 17 Nov, with 10% of profits going to the Because We Carry charity. Palmer will also play a show at London's Union Chapel on 16 Nov, which will be broadcast via her website. • Steve Mason and Martin Duffy have announced that they will release an EP under the name Alien Stadium on 1 Dec titled 'Livin In Elizabethan Times'. Here's the first track to be released from it, 'This One's For The Humans'. • They Might Be Giants will release new album, 'I Like Fun', on 19 Jan. From it, this is new single 'I Left My Body'. • A new seven LP vinyl boxset of Fela Kuti albums curated by Erykah Badu is to be released on 15 Dec. It'll feature personal essays written by Erykah Badu and in-depth commentaries by Afrobeat historian Chris May. From the box, here's 'Coffin For Head Of State Part 2', with commentary from May. • Katie Von Schleicher has released the video for new single 'Midsummer', ahead of UK tour dates which start this week. • Colour have released the video for new single 'Minus'. • Rocheman has announced that he will release his debut album on 1 Dec. Here's new single, 'Pestle Pusher'. • Check out our weekly Spotify playlist of new music featured in the CMU Daily - updated every Friday. |
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Everyone's still angry that Fox News doesn't like Radiohead This all dates back to earlier this month and an edition of the news channel's low budget late night talk show 'The Greg Gutfeld Show'. On it, reporter Kat Timpf claimed that Radiohead had been nominated for induction into the Rock N Rock Hall Of Fame next year based on "fame and not talent". She added that their music "is just elaborate moaning and whining over ringtone sounds". Radiohead fans immediately took the bait and began defending the band, even though 1) Radiohead don't need defending and 2) that's actually quite a reasonable description of their music. It caused such a fuss that Gutfield and co realised that they were onto something. So the following week, he said of the band: "You know, Radiohead is a fine band but they stole everything from Coldplay. Like, Radiohead is the poor man's Coldplay". I know. I know. There are lots of arguments against that statement, but you know the whole thing was deliberately crafted just to make you start shouting them angrily. It's like if I said, "Even though it ended up being better than the original three films combined, 'Star Wars: Episode 1' would have been a lot better if Jar Jar Binks hadn't been so woefully underused". No wait, I got it wrong. That is actually a stone cold fact. There's no use me telling you not to get upset about Gutfield's Radiohead fan baiting now though, because this happened a week ago and everyone's already expressed their outrage on Twitter. Oh, the outrage! Surely after two weeks of it, the team behind the show wouldn't want to feed off that anger some more. Would they? Yes, of course they would. This week, they went all out and filmed a sketch! A classic comedy sketch. The sketch is set up as a mock advert for a remedy to rid you of 'Radiohead lice', called 'Yorke-B-Gone'. I think the idea is that Radiohead lice make you itch, and they also make a horrible wailing sound. It's sort of... no, I don't know. But it finishes on a joke about Coldplay being "more innovative" than Radiohead, which might have been funnier if the build up to screening the sketch hadn't been filled with better jokes on that theme. Actually, Gutfield concluded that run by stepping things up a gear with the majestic claim that Blink 182 are "a poor man's Red Hot Chili Peppers", who in turn are "a poor man's Smash Mouth". Anyway, everyone's now got annoyed by this, because everyone loves being annoyed by things these days. I'm even annoyed about you being annoyed. And now I'm annoyed that I'm annoyed that you're annoyed. When will the cycle ever end? Never, that's when, watch the fucking sketch and then go and complain about it somewhere. |
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