MONDAY 15 JANUARY 2018 | COMPLETEMUSICUPDATE.COM | ||||||||||||||||||||||||||||||||||||||||||||||||||||||
TODAY'S TOP STORY: Well, this is no fun at all. Songkick has settled its long running legal battle with Live Nation in a reported $110 million deal that will also see the live music giant acquire some of the start-up ticketing firm's assets. It means that what could have been a very enlightening trial indeed will now not go ahead... [READ MORE] | |||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Songkick settles Live Nation litigation The Songkick company - which combined the original Songkick gig recommendations service and the Crowdsurge direct-to-fan ticketing platform - sued Live Nation in 2015, accusing the live music major of anti-competitive behaviour. The key allegation was that Live Nation - as a concert promoter, venue operator, artist manager and Ticketmaster owner - was exploiting its market dominance to stop artists from working with Songkick on ticket pre-sales to fan club members. As it went through the motions, the original lawsuit was both streamlined and extended. The additions were mainly new allegations made by Songkick that staff at Ticketmaster stole trade secrets from the start-up and used them to develop its own rival service. These claims centred on a former Crowdsurge employee who had subsequently joined Ticketmaster. As the legal wrangling continued, last July it was announced that Warner Music had bought the Songkick app and brand. Warner Music owner Access Industries was a key investor in the Songkick business. The ticketing platform previously known as Crowdsurge was not part of the deal, and it subsequently announced that it was winding down its operations, blaming the conduct of Live Nation and Ticketmaster for that turn of events. The lawsuit stayed with the company operating the ticketing platform after the Warner deal. Renamed Complete Entertainment Resources Group, that company insisted it would continue to pursue its legal battle, even though it no longer had any active operations itself. There was plenty of interest in the lawsuit, even though it always seemed ambitious on Songkick's part, because there are plenty of other people in the music community who dislike the ever-acquisitive Live Nation's market dominance in live entertainment, especially in some key markets. Even though, as it evolved, the lawsuit seemed to focus more on the allegations of industrial espionage than the original claims of anti-competitive behaviour, many were anticipating some interesting revelations about Live Nation's operations and exclusivity deals once the dispute properly got to court. After various delays, that was due to happen later this month. But not now. On Friday it was announced that "Live Nation Entertainment and Complete Entertainment Resources Group, and related entities formerly known as Songkick, announced today that Live Nation has acquired certain assets from CERG, including CERG's ticketing commerce platform, anti-scalping algorithm, API applications and patent portfolio. The two companies also announced that they have agreed to a settlement resolving litigation that was scheduled to go to trial later this month". Speaking for Live Nation, Joe Berchtold told reporters: "We are pleased that we were able to resolve this dispute and avoid protracted and costly legal proceedings, while also acquiring valuable assets". Meanwhile Matt Jones, the founder of Crowdsurge and subsequently CEO of the combined Songkick business, added: "We are glad to have resolved this litigation and thank all the employees, artists and industry partners who contributed so much to our many successes over the last decade". So, no fun at all for fans of messy music business litigation. Quickly, someone sue Ed Sheeran just to help fill this new pop courts vacuum. Yeah again. You can't have too many Ed Sheeran plagiarism lawsuits. |
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Heritage artists galore intervene in pre-1972 case in California US-wide federal copyright law only protects sound recordings released since 1972, with older tracks protected by state-level copyright law. In America, AM/FM radio stations don't pay royalties to artists and labels, but online and satellite stations do. However, because that rule comes from federal law, online services like Pandora and satellite broadcaster Sirius decided that they didn't have to hand over any payment whenever the tracks they were playing pre-dated 1972. The music industry felt that was sneaky, and two musicians in particular - one time Turtles, Flo & Eddie - went legal on the matter in multiple states. They argued that state law also required Pandora and Sirius to pay royalties to artists and labels. Though, as older state copyright laws don't make a distinction between AM/FM radio and online/satellite stations, that would basically require the court to conclude that all radio services should have been paying royalties to the record industry, whenever they played golden oldies, all this time. Despite that fact, Flo & Eddie won their lawsuit against Sirius in California, and also initially had some success in New York state too. Though subsequently both New York and Florida ruled that there were no recording royalties due for airplay - however delivered - under those two states' respective copyright systems. Meanwhile, back in California, Flo & Eddie's separate lawsuit against Pandora continues to go through the motions, and last year the Ninth Circuit Court Of Appeal asked the state's Supreme Court to settle the matter once and for all. Which is why a flurry of big name heritage acts have now put their name to a court filing requesting that the state's top judges do provide artists and labels with royalties from online and satellite radio platforms. Lawyers and labels involved in the case have focused on copyright law technicalities, but some of those acts backing Flo & Eddie have gone with more ethical arguments. According to Billboard, one of those artists, Jefferson Airplane singer Grace Slick, told the music writer who compiled the amicus brief, Steve Hochman, that "It's basically simple ... if you are making bucks off of my stuff, guess what? I deserve a portion of it". While legal wranglings continue in California, efforts are also underway in Washington to amend federal copyright law so that the obligation on online and satellite radio to pay royalties to artists and labels would be extended to all recordings still in copyright, not just those released since 1972. It's the CLASSICS Act that seeks to make those amendments. -------------------------------------------------- Pirate Bay web-block extended to other ISPs in Netherlands Whereas in most countries ISPs have reluctantly accepted court orders forcing them to block customers from accessing copyright infringing websites, Dutch net firms Ziggo and XS4ALL decided to fight a Pirate Bay blocking injunction secured by the country's anti-piracy agency BREIN back in 2012. In 2014, an appeals court sided with the internet firms, ruling that the Pirate Bay web-block that had been put in place by a lower court was "ineffectual" and might "constitute an infringement of [people's] freedom to act at their discretion". BREIN then took the matter to the Dutch Supreme Court, which in turn asked the European Courts Of Justice whether European law had any issues with web-blocking, and the possible "infringement of people's freedom to act at their discretion" it might cause. Last year European judges basically gave the all-clear for national courts in the European Union to instigate web-blocks on copyright grounds if they so wished. And so the case returned to the Dutch Supreme Court, which still needs to decide whether forcing Ziggo and XS4ALL to block The Pirate Bay is a proportionate sanction in this specific case. While that final judgement is still pending, last September the appeals court said that its 2014 decision was now largely obsolete and that, therefore, the 2012 web-blocks against The Pirate Bay should be reinstated, pending the Supreme Court ruling. Last week the web-blocking order was extended to cover other ISPs in the country, including KPN, Tele2, T-Mobile, Zeelandnet and CAIW. Some of those companies objected to web-blocking in court, but their concerns were dismissed by judges. Which means the wider web-block party can get underway with immediate effect. Although, all of this is still subject to that final Supreme Court judgement on the matter. |
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Primary Wave buys into Bob Marley catalogue through Chris Blackwell deal Blue Mountain Music was founded by Blackwell in 1962, and has a roster of songs by artists including Toots & The Maytals, Free, Babba Mall, The B-52s, John Martyn, John Grant and Marianne Faithful, as well as Marley. The Bob Marley estate also retains a share in the late musician's catalogue. As part of the deal, Blue Mountain and Primary Wave will also jointly sign new acts, with the latter actively pushing those artists. |
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Royal Albert Hall to be investigated over trustee seat ownership When the Royal Albert Hall was built in 1860, members of the public were offered the opportunity to fund the project in something like a nineteenth century Kickstarter campaign. In return, they were given ownership of seats in the venue, which they could pass down to future generations or sell off to the highest bidder. According to the Telegraph, around a quarter of the venue's 5000 seats are still owned in this way. Of the Royal Albert Hall charity's trustees, nineteen are also seat owners - between them owning about 140 of the potentially profitable chairs. The issue being raised now by the Charity Commission specifically relates to the fact that those trustee seat owners hold a majority on the Hall's governing council, which the charity regulator says is "an inherent unresolvable conflict of interest". A spokesperson for the Charity Commission told the BBC: "The question is whether these arrangements enable the council to be perceived as furthering the purposes of the charity for the public benefit. We have been engaged with the Hall for some time and, while progress has been made in some areas, the central issue of how to deal with the conflicts of interest, and suggested private benefit, remain unresolved and the hall has shown minimal appetite to address these". Commenting on the news that this matter would now go to the Charity Tribunal, a former president of the venue, Richard Lyttelton, told the Telegraph: "This goes a long way towards vindicating a lengthy campaign to bring the issues of governance at this iconic national institution to light. Through an archaic constitution and more recent opportunities afforded by online ticket sites, certain commercially minded members have been able to profit by selling tickets to their seats, sometimes at many times face value. Apart from the questionable morality of this practice it is clearly not what the charity was designed for". However, the Royal Albert Hall itself says it is disappointed by the latest development. A spokesperson for the venue said: "Over many years, the Hall has engaged in a meaningful way to resolve what is a complex set of issues, however the Commission has chosen to refuse to meet us, whilst pursuing what will be a costly and drawn out route. Whilst we will, of course, co-operate with this process, our focus will remain on entertaining audiences and to enhance our considerable charitable activities". |
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Urban Development and CMU:DIY return with Industry Takeover Seminar The Industry Takeover Seminar is aimed at aspiring artists and future industry talent. Each edition focuses on a different aspect of the music business, and kicks off with a CMU:DIY guide to that side of the music industry. Then a panel of experts are questioned, first by CMU's Chris Cooke, and then by the audience. Says Cooke: "Urban Development's Industry Takeover Seminar is one of my favourite events that we are involved in. Our CMU:DIY education programme is all about sharing our knowledge and insights with the next generation of artists and industry leaders, and each edition of the ITO Seminar is packed out with those very people". This week's edition - tomorrow night (16 Jan) at the Red Bull Studios - is all about 'Making Money From Music' with input from Lloyd Murray from Relentless Records, Kate Bond from Evelyn Productions and Chris Oyekweli from Bravado. Future sessions are focused on streaming, building a fanbase, making videos, gigging and label deals. For more info and tickets, click here. |
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BRITs 2018 nominations announced The big news is that Dua Lipa has managed to score five nominations, despite having no discernable personality and a collection of songs that just happen and then stop. Behind her is Ed Sheeran, who has four nominations, plus J Hus and Rag N Bone Man, who have three apiece. All four of them, inexplicably, are up for Best British Album. As the solo careers of the former members of One Direction slowly emerge, we're still talking about how they fare against each other, despite the group having split up about 700 years ago now. Zayn Malik, Harry Styles and Liam Payne are all up for Best Video. Payne has also somehow managed to get a Best Single nomination for 'Strip That Down', which just makes a mockery of the whole thing. In other rivalry news, Liam Gallagher has one nomination and Noel Gallagher has none. That seems about the right balance, as Liam's solo album was just about bearable and Noel's latest effort was like stabbing yourself in the ear repeatedly. "So I hear I've been nominated for British Male Solo Artist at the BRITs this year - YOU GOTTA BE IN IT TO WIN IT", tweeted Liam. Of his brother, he added: "So the creepy one gets blanked at the BRITs. Oh well, was looking forward to hurling abuse at him and his poshos from across the room. I know I'm not gonna win, just pointing out to the gobshite who said nobody gives a fuck what Liam Gallagher thinks". Putting a more positive spin on things, Sony Music UK boss and Chair of the BRITs, Jason Iley, says: "This year's nominations are representative of an exciting, genre spanning and vibrant year in British music with a strong mix of established acts alongside new and emerging artists who are set to become the big names of the future". The show will take place at the O2 Arena in London on 21 Feb, as well as being broadcast live on ITV1. Obviously, I can't wait for the big night and will diligently consume every second of it. Meanwhile, here are all the nominations, not one of them deserved: British Male Solo Artist: Ed Sheeran, Liam Gallagher, Loyle Carner, Rag N Bone Man, Stormzy British Female Solo Artist: Dua Lipa, Jessie Ware, Kate Tempest, Laura Marling, Paloma Faith British Group: Gorillaz, London Grammar, Royal Blood, Wolf Alice, The xx British Breakthrough Act: Dave, Dua Lipa, J Hus, Loyle Carner, Sampha International Male Solo Artist: Beck, Childish Gambino, DJ Khaled, Drake, Kendrick Lamar International Female Solo Artist: Alicia Keys, Björk, Lorde, P!nk, Taylor Swift International Group: Arcade Fire, Foo Fighters, Haim, The Killers, LCD Soundsystem British Single Of The Year: Calvin Harris feat Pharrell Williams, Katy Perry, Big Sean - Feels, Clean Bandit feat Zara Larsson - Symphony, Dua Lipa - New Rules, Ed Sheeran - Shape Of You, J Hus - Did You See, Jax Jones feat Raye - You Don't Know Me, Jonas Blue feat William Singe - Mama, Liam Payne feat Quavo - Strip That Down, Little Mix - Touch, Rag N Bone Man - Human British Video Of The Year: Anne-Marie - Ciao Adios, Calvin Harris feat Pharrell Williams, Katy Perry, Big Sean - Feels, Clean Bandit feat Zara Larsson - Symphony, Dua Lipa - New Rules, Ed Sheeran - Shape Of You, Harry Styles - Sign Of The Times, Jonas Blue feat William Singe - Mama, Liam Payne feat Quavo - Strip That Down, Little Mix - Touch, Zayn and Taylor Swift - I Don't Wanna Live Forever Album Of The Year: Dua Lipa - Dua Lipa, Ed Sheeran - Divide, J Hus - Common Sense, Rag N Bone Man - Human, Stormzy - Gang Signs & Prayer -------------------------------------------------- So Sigrid will be Sound Of 2018, says BBC Upon receiving the prize last week, Sigrid said: "It's a lot to take in to have won something as prestigious as BBC Music Sound Of. I feel honoured as there are so many other artists I look up to who have won this before me, and honestly, I'm just really happy and proud of what my team and I have achieved together". "I'm from a small town called Ålesund in Norway", she continued. "I'm still 21 and it's quite crazy to get this recognition. I'm very excited about the year ahead and sharing new music with everyone. I want to thank the panel for voting and the team involved in BBC Music Sound Of 2018". BBC Radio 1 and 1Xtra's Head Of Music Chris Price commented: "I'm absolutely THRILLED that Sigrid has been crowned BBC Music Sound Of 2018 winner, showing that tastemakers in the UK and internationally share the excitement that has lit up Radio 1 since 'Don't Kill My Vibe' was made 'Hottest Record In The World' last February". Talking up the Beeb's support for her to date, he continued: "Following Tunes Of The Week from Annie Mac, MistaJam, Scott Mills and Greg James - not to mention a Piano Session for Huw Stephens last summer - Sigrid's new single 'Strangers' sits on the Radio 1 'A' list, her third playlist here. Sigrid is a captivating performer and I can't wait to introduce BBC audiences to her incredible live show". The top five in this year's Sound Of poll was: 1. Sigrid Sigrid's 'Strangers' was originally release last November. Watch the video here. |
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Kevin McCabe, Reservoir, Sony Music, more Other notable announcements and developments today... • Caroline International's Kevin McCabe has left the Universal division to set up his own radio and TV promotions company, Kevin McCabe Promotions. Clients at launch include Kylie Minogue, Gaz Coombes and Franz Ferninand. • US music rights set up Reservoir has promoted Rell Lafargue to President of the company. He will continue to work as Chief Operating Officer, a position he's held since 2008. "It has been a remarkable year", says Lafargue, getting ahead of himself. • Former Universal Music exec Daniel Lieberberg has been named Sony Music's new president for Continental Europe and Africa. "Daniel is one of the most outstanding creative and futuristic executives in Europe", says Sony Music CEO Rob Stringer. Futuristic! • Taylor Swift's shunted out a video for 'End Game', featuring Ed Sheeran and Future. • Marshmello has released his collaboration with the late Lil Peep, 'Spotlight'. "Peep brought an excitement to music that was unparalleled to anybody I've ever met", says the producer. "We started an idea together, that unfortunately we were never able to officially finish together. When I listen to this track now I get chills wishing he could hear it". • Dua Lipa has released the video for 'IDGAF' from her debut album. • After several years of trying to break free of their previous record deal, The Radio Dept have now released their first single on their own Just So label, 'Your True Name'. • EMA has released new single 'Dark Shadows', taken from new EP 'Outtakes From Exile', due out on 2 Feb. • Cosmo Sheldrake has released new single, 'Egg And Soldiers'. His debut album, 'The Much Much How How And I' is out on 6 Apr. • Check out our weekly Spotify playlist of new music featured in the CMU Daily - updated every Friday. |
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Crytocurrency themed pop group launches in Japan Making their live debut last week, the eight members of the group each perform in maid costumes and masks representing different cryptocurrencies. Their songs also extol the virtues of decentralised digital money. Tickets for shows, and merch once inside, are all priced up in Bitcoin, obviously. Members of the group are also reportedly paid in Bitcoin, which may or may not prove beneficial in the long run. For now, they're on message, with Reuters reporting that Rara Naruse told fans from the stage: "[Crytocurrencies are] so convenient you kind of have to wonder why we didn't have them before. We want everyone to learn more about them". So, if you like your pop to come with financial advice, this may be the group for you. |
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